Kylie Fitzpatrick
  • Home
    • About
  • Latest News
  • Novels
    • Tapestry
    • The Secret of the Ninth Stone
    • The Silver Thread
    • Women of the Round Table
  • Editing
    • Testimonials
  • Curative writing
  • Articles
  • Links

Empathy Starts with ‘I’

18/7/2018

0 Comments

 
This is the paper recently presented at the Empathy and Creativity Symposium at the University of Canberra. 
empathy_starts_with_i_.pdf
File Size: 172 kb
File Type: pdf
Download File

0 Comments

Empathy and Creativity Symposium

19/6/2018

0 Comments

 
My presentation at the Empathy and Creativity Symposium at the University of Canberra was titled: ‘Empathy Starts with 'I’’ and was an exploration of how journaling supports us in developing a unique writing voice, and at the same time reconnects us with our authentic selves.
​All in all, a wonderful event.
Picture
0 Comments

Empathy and Creativity Symposium

4/6/2018

0 Comments

 

15 June 2018

Kylie is a speaker at this first Empathy and Creativity Symposium in Australia.
Picture
0 Comments

Tapestry - a long road to being published in English

5/2/2018

0 Comments

 
Picture
Dear Reader,
 A short tale of a story close to my heart.
    In my twenties I accidentally became an actor. I was in a handful of decent plays, did countless auditions and some bad TV, and, as Alice in Wonderland, toured schools in the Australian outback with a theatre in education troupe. Doing auditions and reading scripts was the beginning of a lasting interest in how and why we tell stories, which gave me lots to think about whilst I became an experienced waitress. 
    I wanted to write, but this seemed even more irresponsible and unrealistic than be-ing an actor, so I didn’t take the aspiration seriously.
    Then I was asked out by an actor who was also a writer, who later told me that I had written ‘the most perfectly composed rejection letter he’d ever received.’ I tactfully didn’t ask him how many he had received. He offered me some work script editing, and then re-searching a television series he was developing about three powerful men who were rivals for the Saxon crown in the eleventh century.
    The series was never made, but in the process of researching I became preoccupied with a nine-hundred year old embroidery called the Bayeux Tapestry. Its unknown origin and cipher-like artwork captivated and enchanted me. The more I read about this embroi-dery called a tapestry, the more driven I was to discover who had made it and why. In the absence of satisfactory answers I formulated my own, inspired by some under-appreciated eleventh century women.
    By this time I was working as a production secretary on a television series, and part of my job was to operate script-formatting software. I was reading a lot of scripts, so it seemed natural that my writing should take the shape of a screenplay. I was fortunate to find a friend in the producer of that series, Denny Lawrence, who suggested to me that writing a first screenplay set in medieval Westminster and present-day Canterbury was quite ambitious, and perhaps I would consider writing my story as a novel instead?
    I thought he was mad. Write something as lengthy and complex as a novel? As if.
    Several drafts of my first novel later I was living in Bristol in the UK. I had now, on and off, been writing and rewriting Tapestry for almost ten years and I understandably thought it was finished. I sent some chapters out to several literary agents and waited. Fi-nally, Kate Hordern & Associates, called me.
    With the support of Kate Hordern, whose knowledge of the publishing business and book trade is singular, Tapestry underwent another makeover or two before the novel was finally finished.
    One night I received another significant phone call from Kate. Tapestry was being auctioned between two major German publishing houses. Kate, whose publishing back-ground was as Foreign Rights Director at Victor G0llancz, had a hunch the manuscript would interest German editors because German readers like historical novels and intricate plots.
    Given the response in Germany, we thought a UK publisher would soon follow, but months went by and editor after editor turned the novel down. It either wasn’t commercial enough or wasn’t literary enough; its parallel stories were too difficult to market; the cen-tral character in the contemporary storyline, Madeleine, was not a mainstream heroine. The reasons seemed boundless. Meanwhile, several more foreign publishers bought Tapes-try, which was eventually published in eight languages and became a bestseller in Ger-many.
    I got over feeling dispirited each time a rejection letter from a UK publisher arrived, and concentrated on writing The Secret of the Ninth Stone. That was fifteen years ago. I have since written three other novels.
    Today, Tapestry is released by my UK publisher, Head of Zeus.  I am delighted and excited and a little nervous. This story has been with me for a long time. It was, in a sense, my coming-of age as a writer. In writing and rewriting Tapestry I learnt technique and a craft. I spent so much time with its characters that they became like friends.
    Serendipitously, as I write this, the Bayeux Tapestry is itself creating news as it pre-pares to return to England from Normandy for the first time in almost a millennia. The enigma of the Bayeux Tapestry has been revived.
    Tapestry is available on Amazon worldwide in print and ebook. If you read the novel – and I hope you will – and like it, please consider writing an Amazon review. It really does make a difference to authors.  
    
0 Comments

News for January 2018

20/12/2017

1 Comment

 
My publisher, Head of Zeus, is publishing Tapestry and re-issuing two of my other novels. Watch this space for more information.
Picture
1 Comment

Writing a novel: Beginnings

21/11/2017

0 Comments

 

A weekend workshop for writers of all abilities who are thinking of starting, or are developing a novel 

Patwell Studio
Saturday and Sunday, 2 and 3 December 2017
10am–4pm

£160.00 
Lunch included
You are welcome to copy and email the poster to your friends!
​
Picture
0 Comments

WRITING WORKSHOP: SAT 29 JULY 2017, 10 AM – 4 PM

26/6/2017

0 Comments

 

​THE OUTSIDER: THE CREATION OF CHARACTER IN FICTION

Picture
This one day workshop explores fiction-writing techniques, inspired by the current exhibition ‘Rashid Johnson. Stranger’. The day will focus on the character of the hero and how writers can create a believable, empathetic protagonist.
Subjects covered:
  • The most memorable protagonists are often outsiders or strangers to the world of the story. Why is this and what can be learnt from it?
  • How much of the author’s own personal and cultural identity and experience should be channelled into a central character, and can we control this?
  • What qualities do a hero-character need to enable readers to empathise and to stay engaged?
  • The underlying themes of truthfulness to one’s own culture and history are explored in Rashid Johnson’s work. How can we identify the personal themes that will enrich our writing and translate these into believable characters and meaningful narrative?
Workshop outline:
The day will be structured to include a presentation, discussion, writing exercises and time to reflect and write. We will work towards producing the beginnings of a piece of creative writing inspired by ‘Stranger’ the current exhibition of work by Rashid Johnson.

Tickets are £90 and include lunch in the Roth Bar & Grill.
0 Comments

A Few Words

22/5/2017

0 Comments

 

​An evening with local writers, poets and story-tellers

Please join us:
8pm, Tuesday 27 June 2017
at The Bruton Castle
High Street Bruton

You are welcome to copy and email the poster to your friends!
​
Picture
0 Comments

The search for meaning

24/4/2017

0 Comments

 
Kylie relates writing to Depth Psychology, in an article for the National Association for Writers in Education:
www.nawe.co.uk
0 Comments

HOW TO EDIT YOUR BOOK

2/2/2017

0 Comments

 
Picture
​20 May 2017
9.30am to 2.30pm
​
​Bloomsbury Publishing
50 Bedford Square
London WC1B 3DP

Learn how to become a more objective reader of your work with a day of advice and practical exercises from professional editors in the publishing industry. You will receive help and guidance on how best to approach the editing process, and develop the tools you need to make your work the best it can possibly be ahead of submission to an editor, literary agent or publisher. Along with an invaluable one-to-one session with an editor of your choice, find out how to take your editing to the next level. 

More information and booking: writersandartists.co.uk
0 Comments
<<Previous
Forward>>

    Archives

    February 2021
    January 2021
    June 2020
    February 2020
    November 2019
    December 2018
    August 2018
    July 2018
    June 2018
    February 2018
    December 2017
    November 2017
    June 2017
    May 2017
    April 2017
    February 2017
    January 2017
    September 2016
    November 2014
    September 2014
    July 2014

    Categories

    All
    Events
    Novels

    RSS Feed

info@kyliefitzpatrick.net

Kate Hordern Literary Agency
0117 923 9368
kate@khla.co.uk
© Kylie Fitzpatrick
Site designed and hosted by Archetype Design
archetypedesign.net